I know Sex in the City has been relegated to box-set territory but sometimes I refer to my flat as sustainability in the city, because like Carrie Bradshaw, I keep sweaters where my stove would have been.
Reflecting on the moment I decided to turn my kitchen into my wardrobe and started the journey towards a more sustainable life, I am getting ready to join Friends of the Earth, Salvo and Edward Bulmer Natural Paint for a Grand Designs Live talk on sustainable sourcing tomorrow.
Designing my home with sustainable materials inspired me to dress differently, but now that I’m trying to live more consciously I feel guilt for a wardrobe full of clothes accumulated over a decade working in the fashion industry. And of course anything I “Toss” gets donated, sold, given to friends or recycled, but as you educate yourself about sustainability, guilt inevitably follows.
When you really look at the manmade change we’re creating in the world, it is scary and to quote the SATC film scene above, “a lot of s**t went down here, attention must be paid.” However, the awakening that is brewing won’t be achieved through sustainability shaming.
I experienced a refreshing moment for the sustainability movement when I met designer Masato Jones the other week.
Masato was speaking on a panel for Fashion Revolution and reminded the audience of a SATC episode where Carrie skipped dinner out to buy something she really wanted. He joked that’s the kind of feeling you have to have when you buy something because then you will truly treasure it. Like working with salvaged materials, where pieces are often hard won, it is polar opposite to the immediacy we’re used to where we can have things so quickly – often before we’ve had time to think if we really liked something or even needed it.
That’s a long winded way of saying that Masato gave me the excuse to dust off my SATC box set and my guilt (wearing one of his organic fair trade t-shirts as a dress).
Join me at Grand Designs Live in the Grand Theatre at 12noon Saturday 12th May 2018.
Reclaimed wardrobe above made of wood salvaged from 100 year old industrial buildings in the north of England and a mix of vintage, ethical and sustainable sweaters.
Lips above credited to Ilia’s brilliant pigments and organic ingredients.
©Photographs Reclaimed Woman
Having spent a few days working away in Brighton – the town where I grew up – talk turned to where I might ultimately set-up home if my husband and I decide we have out-grown our little garden flat barely made for two.
Back home in London, I dropped-off my luggage to travel east to see the new collection by sustainable luxury label VIMPELOVA. The event took place in a Victorian family home where designer, Veronika Vimpelova lives and works. Mentally setting-up home and filling my wardrobe with Veronika’s chic pieces made of organic linen, organic cotton and peace silk, the period setting perfectly complimented traditional pleating and cording techniques.
I haven’t contemplated a crop-top for years, but VIMPELOVA nails them with sophisticated examples like this made of peace silk.
It’s surprising what shopping in a relaxed environment can do for your confidence. I bought this crop-top in traditional hand-block printed, hand-dyed Czech Indigo (Veronika is originally from the Czech Republic).
The new VIMPELOVA collection, which includes pieces for women and men is available to preview and pre-order from your own home now.
If you’re curious to know more, pay a visit to @vimpelova to hear about future events.
©Photographs Reclaimed Woman
Today’s eco-warrior is less hemp, more hot. I don’t mean to do a disservice to the durable natural fibre, but hemp clothing is still building a new rep amongst fashion seekers that have discovered sexy and sustainable can coexist – as they do in the #ecohot label COSSAC.
I met Agatka Kozak, the woman behind COSSAC in a café off Brick Lane in East London. The day of our interview was one of the worst snow days in the city this season, yet our café was surprisingly busy with the usual mix of hipsters and high-flyers you would expect on the border of Shoreditch and the financial district.
The concept of seasons is fluid for Agatka, which is reflected in her collections with items that can be styled up or down throughout the year – or even from day to night. This design philosophy works for the sustainable fashion-minded, along with buying less, but better, and it also works for women living in the city that want a versatile wardrobe with often very little storage space.
I’m styled-up the day we meet – making the most of the multiple accessories the Labour Behind the Label Six Items Challenge rules allow, but both Agatka and her intern Mao look at me and shiver as I take a seat in less layers than suitable for the weather.
Thankfully, this is the second time Agatka and I are meeting, and she’s used to seeing me half-dressed as the first time we met in a Hoxton hotel suite at her shopping and preview event. I bought an asymmetric midi dress just before I started my challenge, which is impatiently waiting in my wardrobe to be worn. My dress encapsulates the COSSAC signature of effortless sass and I can’t wait to wear it.
“People don’t like to be told off” she says as we get past niceties and down to the nitty gritty topic of ethical fashion. “If we were only aiming at ethically minded people, we would be out of business.”
COSSAC treads the balance with a non-preachy, yet transparent tone about the materials, manufacturing – even garment neck labels are made of recycled polyester. “For me it’s a standard, I don’t necessarily scream loads about it but if someone asks me, I explain.”
Agatka emphasises the importance of balance, as it is that which allows her the freedom to create the newness the fashion industry demands, whilst maintaining her mission as a sustainable designer. I clutched onto maximising usefulness in COSSAC’s manifesto, as the Six Items Challenge has made me think more about how my wardrobe works for me. She adds more food for thought with the fact that “apparently we wear 20% of our wardrobe 80% of the time.” I want to have some kind of useful fashion formula by the end of my challenge and to create a new relationship with my clothes – upping the average number of wears each garment gets.
As well as designing, Agatka also shops consciously, and (aside from wearing COSSAC most of the time) before making a purchase she asks herself if she will wear it at least 30 times.
Just like sustainable shopping, sustainable designing comes with its challenges, for example when your collection orders amount to more than the quantity of deadstock fabric you have to make the pieces…Thankfully COSSAC has built great relationships with buyers, so she could utilise some beautiful deadstock fabrics that came with a warehouse one of her manufacturers recently acquired. The fabric would have either been recycled or chucked, as nobody else wanted to deal with the difficulties of working with it. Agatka has overcome the challenges of deadstock fabric by agreeing with the manufacturer and buyers that when it runs out, extra orders will be fulfilled using other organic fibres.
Sourcing fabrics locally allows Agatka to keep the carbon footprint and the costs down for both the brand and her customer. There is an increasingly enticing selection of sustainable fabrics on the scene, and she is always researching new options, but also adamant about keeping her brand affordable.
Other strings to her sustainable bow include candles and organic perfume. I bought one of the first editions of Her – the debut COSSAC fragrance (which officially launches in August) and it lives in my handbag as a secret mood-lifter.
Currently partaking in many perfume courses and exploring the health benefits of essential oils, Agatka’s next mission is not only to dress, but de-stress her customer.
“The woman I design for, in my head she lives in the city, so on top of having amazing scents, it could have stress relief benefits”.
We end on Fashion Revolution as the week that encourages us all to ask brands ‘Who made my clothes’ is fast approaching on the 23rd – 29th April 2018. The campaign also encourages us to remember the Rana Plaza factory collapse, where over 1000 people were killed and many more were injured on 24th April 2013.
Incidentally, Mao, Agatka’s intern is starring in this year’s campaign (pictured far left).
COSSAC offers a refreshingly realistic perspective for an ethical brand with the realisation that women often buy fashion first, but that sustainability is also an increasingly expected added value. COSSAC caters to modern women who want to feel feminine, empowered and beautiful inside and out.
“I just want everyone working on my brand to be happy. There’s a very humane element, like I wouldn’t be able to sleep at night if I knew that someone was miserable. I want to go to bed every night with a clear conscience.”
The new COSSAC collection Transeasonal Diaries is available to shop now.
COSSAC counts global stockists. Check out the full list here.
And if like me, you’re obsessing over the jewellery worn with COSSAC clothes throughout, check out jewellery designer Naida C. Castel.
@Photographs courtesy of COSSAC
I definitely didn’t expect snow when I picked mainly dresses for the six items to see me through six weeks.
©Photograph courtesy of PHIPPS – a newly launched menswear brand founded on the principles of respect and curiosity for the natural world. They’re exploring sustainability and environmental responsibility in the realm of style and I wanna wear it too…
At the risk of sharing TMI, I just got back from a romantic trip to Bruges which perfectly coincided with my period. I don’t normally write in acronyms, but having found a new solution to life’s unmentionables, I feel like my pre-teen self experiencing a period for the first time, so 4YEO FYEO (for your eyes only) here are my new period pants.
On the blob in Bruges, it was a good time to get brave and try something different, whilst doing my bit to minimise the flow of the sanitary pad footprint. My weekend wash bag for Belgium was leaner and greener with no disposable pads or tampons, as I packed panties from Modibodi instead. These Modibodi bamboo undies are reusable and sustainable – designed not only for women and girls, but for the benefit of all of the bodies on this planet.
Read my review and interview with Modibodi founder and CEO Kristy Chong, who (along with Belgium chocolate) helped me unlock the magic combination of comfort and confidence during that not-so-hot time of the month…
Kristy, the creator of Modibodi and I talk the same language. She accumulated over 13 years experience in senior PR roles before making Modibodi, and the kind of products a PR professional dreams of. The collections not only look cool, they also support causes worth shouting about, such as Days for Girls. This charity particularly struck a chord with me, as I was introduced to Days for Girls by a friend I lost to cancer last year. You know the friend that makes you laugh so much you wet yourself? Well, she was mine, so Modibodi’s leak-proof technology springs to mind as I start my questions for Kristy.
What ignited the motivation for you to own your own business?
From a young age I always knew I wanted to own my own business. The concept of Modibodi came when I was in Seattle, after the birth of my second child, I was doing a lot of running and traveling and came to the realisation that my underwear was failing to protect me from sweat and the occasional bladder weakness. I started to think about all the times as a woman underwear fails us.
For the 1 in 3 women with light incontinence and for every menstruating women, most can recall stories of that embarrassing situation in which her underwear failed to protect her from a leak, or they have endured years of using inconvenient, uncomfortable and eco-damaging disposable hygiene to stay protected. I wanted create a whole new product category for women that helps them better manage menstrual flow or incontinence, and to reduce the number of single-use products ending up in landfill and damaging our environment. Modibodi is fashionable, sustainable, hi-tech, super comfortable underwear that totally replaces the need for disposable hygiene!
Can you tell me more about your support for Days for Girls?
As the issues of women’s health and rights are so close to my heart, I have made it a core pillar from the outset that Modibodi support women in need.
Days for Girls was one of the first organisations Modibodi supported which lead to us evolving our CSR globally. We have worked in partnership with initiatives such as Share the Dignity, the McGrath Foundation and School for Life and felt it was time to establish the ‘Give a Pair’ initiative to directly deliver product into the hands of women in need, and raise funds through direct sales of product.
Customers across the globe can ‘make a virtual donation’ on modibodi.com and Modibodi will donate a pair of Modibodi underwear to young girls & women in need. We also pledge to match all donations our customers make. Therefore, each time you purchase a GIVE A PAIR donation, you are essentially providing 2 women life changing underwear!
When you were setting up Modibodi, what was your most challenging moment?
Thankfully all of our failures have been relatively small, and not too costly. But when Modibodi has failed, I let myself feel the disappointment and then I use that energy to put processes in place to prevent that from happening again or to pivot and look at other ways to do it. It’s important to take responsibility for those failures because it makes you stronger in the end.
Do you miss anything about your PR days?
The PR profession is made up of a majority of women, and I loved working with creative, super driven, high energy women. But I love the journey I am on now.
What advice would you give a woman with an idea looking to start her own business?
That you are like a rubber band, you will definitely feel stretched, but you won’t break, you will bounce back. And get comfortable with being uncomfortable because in business you will feel a lot of uncomfortable.
When women discover your designs do they share their embarrassing period stories?
We are very fortunate to have amazing women who have joined the Modibodi Movement that share their stories and experiences with us and with our wider community. We are proud that through our blog, emails and social media we are able to converse and engage with our followers and customers. One of my personal favorites is this story from Helen:
I’m a little angry. I’m 26 years old. That’s a lot of period. Why weren’t you around when I was 12? I’m sure you know this but female sanitary products have a GST tax placed on them and condoms don’t?!? That is the first reason I was looking for an alternative to the nasty products which I have been using regardless of the slight allergic reaction I had to them, making that time of the month all the much worse. Since the age of 12 I have had to skip days of school (and since, work) because it was just that heavy, I was continuously worried about leakage and I couldn’t think through that and the pain. This month, I thought I would try Modibodi and my goodness IM IN LOVE. The bamboo undies are so soft and pretty too! I was thinking about posting a photo of my undies previously reserved only for those particularly heavy days, but I was too embarrassed. While your pretty undies can’t take away the pain they definitely make my bloated belly feel a lot sexier! I slept in them for the first-time last night and I didn’t have to worry about the undies being messed up in my sleep as I would a pad, there was absolutely no leakage and I woke up feeling like I didn’t have my period at all. In the past, the first thing I would do would be to go straight to the toilet and change my product but I didn’t feel gross one bit in Modibodi. I just really wanted to say thank you so much for creating these beautiful, useful, delightful undies. I really feel like they might change my period forever. Thank you!
As for my review…this is me, nappy free, galavanting about Bruges in my Modibodis with the kind of liquid love my husband and I could still enjoy on our weekend away – Belgium’s chocolatey stouts.
Another nice thing about the pants is that you don’t have to worry about nasties from plastic materials touching your skin. I recently switched to organic pads, but with a glass door separating our hotel bedroom from our bathroom, it was wonderful not worrying about the less sexy stripping noise of separating a pad from your panties.
Modibodi also unlocked the option of a sexy beige.
I started with the Classic Bikini, but I also like the look of the high waisted Sensual Full Brief. They’ve also got your backstroke ready for summer with leak-proof swimwear. The first release is almost sold out, so keep an eye out for stock drops in the spring.
More on Modibodi.com
Learn about how you can help Days for Girls here
©Photographs Reclaimed Woman. Inspirational graphics from @modibodiaustralia Instagram
I recently discovered that my nickname at university was the swan. Okay so I have a long neck, but my friend suggested that it was more likely to do with my perfect hair. Rest assured, I also dislike the woman with the “perfect hair” my friend described, as perfectionists never see perfect in themselves. Nor am I a fan of people referring to themselves as perfectionists, but before I hit the back bar on this whole paragraph, I’ll get to the point. Renovating my flat with reclaimed materials gave way to a total mind shift. From perfection seeker to imperfection appreciator. When you buy new, the shine often fades with the first scratch or signs or wear. However, buying reclaimed pieces and reusing old materials freed me to be less precious, knowing that loving signs of use would only add to their characterful beauty.
Born from Zen Buddhism, wabi-sabi cannot be bought. Your appreciation might start with a single chipped vase you have had forever. Rather than discarding it, the Japanese philosophy encourages you to accept things as they are. Wabi-sabi is the wonky, handmade, home-grown and weathered with age. A u-turn from the mass-produced, single-use society, it teaches us to be content and cherish what we have.
I am not pretending to have found zen, I still fuss with my hair for about fifteen minutes every morning. But through reuse and renovating my home with natural materials, I am making a more genuine environment that will continue to get better with age.
Difficult to translate into words, I am still working at my definition of a wabi-sabi way of life. However, I think I am close when I appreciate the imperfect pattern of white ceramic tiles at the back of my wardrobe (that was once the kitchen). Rather than sending the tiles to landfill, they live with my clothes and accessories as an accepted part of my home’s history.
Reclaimed doors and sanitary ware at V&V Reclamation / my irregular wardrobe tiles
©Photographs Reclaimed Woman
Sometimes less is more. This is the approach of designer Laura Ironside, who set-up her label with the aim of creating seasonless garments, thoughtfully, through sensitive and sustainable manufacturing.
For some, sustainable fashion is a contradiction in terms, and seasonless has only become part of the fashion vocab with the faster cycle encouraged by new shopping habits like see-now, buy-now.
Collections drop quicker than seasons transition. Laura’s approach is more like season-less. With the first collection, Edit-01 under her belt, she is not in any rush to produce Edit-02, adamant to slow down the fashion cycle and let the first collection live. If like me, you quickly fall for her edgy, womanly 1930s silhouettes, rest assured, when Edit-02 comes around it will fit just so, and Edit-01 won’t be pushed to the back of the wardrobe because it’s so identifiably last season.
Another move towards a time when the words sustainable and fashion can comfortably coexist is through garment leasing. Laura is trialling this model to open her luxury pieces to more women. I leased this copper crepe-backed satin silk dress for the price I could have paid for an occasion dress on the high street. The difference is, once the occasion is over, it won’t sit in my wardrobe, but sooner get a lease of life from the next woman that wears it.
Here is my first leasing experience and interview with Laura Ironside.
Laura on the beginning of her label and consciously bringing products into the world. I had worked for some years in London for a number of fashion labels, but had always wanted to return to Scotland to set up my own label. When I first returned I was working with leather and found it very hard to get high-end leather pieces made in the UK. I spent a long time in product development, I met craftsmen and women from all over the UK and it was during this time that I developed a deeper understanding and respect for the craft that goes into making a single product. It also made me appreciate that if you’re deciding to bring new products into the world you need to be conscious of the impact these products are having. It made me re-evaluate my whole approach to designing and starting a brand. Although I was unsuccessful in continuing the leather work, which was very difficult at the time, after I took some time out I slowly began developing the Edit-01 collection and the ethos of the brand was built through that seemingly unsuccessful experience.
Giving Edit-01 time to breathe. I think it’s easy in the industry to feel pressure to quickly create something new, I definitely feel that, especially as I love to create new work too. I have to remind myself to slow down! Obviously the whole ethos of the brand is slowing down and encouraging women to invest in long-lasting pieces so it’s important that I encourage this with how I approach the collections too. At the moment I want to keep focused on this collection and getting out there. It’s great to see the pieces on different body types and see women styling it in different ways. I’m also learning what works and what isn’t and taking that forward into the new collection. It’s important to me to get feedback from our existing audience and learn and grow from that, while also hopefully balancing it with exciting new and fresh ideas.
Those 1930s silhouettes. I love the elegance of the 1930s. I love the idea of women’s clothes being sexy, but without showing off a lot of skin. I wanted the collection to celebrate femininity and the woman’s body, yet still be demure and elegant. I was aiming to give the 1930s silhouettes some edge, bringing them up-to-date whilst still maintaining their elegance.
It can be very challenging for consumers to track the journey of a garment and find out what it is made of, where, by who and under what conditions. As a designer, Laura faces similar challenges seeking transparency from suppliers. It is so difficult. I can give you an example actually – when I was looking for fabrics for the collection I asked 6 different fabric suppliers for details about their manufacturing, ie. their compliance with EU regulations in respect of ecological and ethical procedures. 4/6 either didn’t know, didn’t respond or wouldn’t disclose. It’s a constant challenge, but I think the more we ask questions as designers, as retailers, as consumers, as anyone who wears clothes (!) the more likely it is for transparency to become the norm in supply chains.
How Laura defines seasonless fashion. For me it is about good quality investment pieces, it’s something that’s made well that makes you feel good. I think you can be playful with how you style-up pieces no matter the season and no matter the cut/style or fabric of a garment. Seasonless fashion does not have to be dull either.
I am from Scotland, where the seasons all seem to merge together and you need to be dressed for all eventualities, so perhaps that’s really where my affinity for seasonless fashion comes from.
Why she chose an atelier in London to sample and produce her collection. It was important to me that the collection was produced in the UK. After location, I was then guided by quality of finish and workmanship. I had tried a number of different places but already had a rapport with this particular atelier. I went to visit them in Greenwich and they were just so open and easy to work with. We began sampling with them from then on and now work with them on small batch production.
How Laura’s sustainable business ambitions extend to other personal areas of her life. I am a real fan of second-hand/antique furniture and homeware like vases, kitchen crockery and tins. When I can it always feels better to use fresh produce for cooking and also to buy locally and buy natural products. I’ve enjoyed making some of my own cosmetics recently too. But as ever, it can be so difficult to remain diligent throughout all areas, at every moment, for one reason or another. I think everyone can do the best they can at the period of life they’re at and make positive changes, but I don’t give myself a hard time about it. In the past year or so I’ve got better at just owning less and really thinking about whether or not I need something, in all areas of my life.
Laura’s mission for garment leasing, is this the future for sustainable fashion? I think one of the main things is accessibility, I know that higher price tags for sustainable products makes things so difficult for people who really do want to engage in a more ethical approach to their wardrobe, but don’t feel that they can afford it. Leasing clothes at a lower price opens this up to a wider audience, if garments are shared it reduces the risk of them hanging in a dark corner of someone’s wardrobe unused, or worse, in landfill. Higher price tags can make people feel like they have no alternative but to shop on the high street for their special occasion, even though they would prefer something different, something unique. It also allows people to try something before they potentially invest in a piece.
At the moment we are very much in the trialling stages, we want to listen to our early lease customers and learn, so we can make this service the best it can be. It would be amazing to think of more brands doing something similar in the future, absolutely.
I highly recommend leasing from Laura Ironside. Luxuriously delivered to and collected from your door, it is a dream for those a custom to small space urban living. Why should our experiences be confined by the extent of our storage space? I didn’t need to buy the Laura Ironside Knight dress to own it that day.
©Photographs Reclaimed Woman
Whether you’re into antiques or not, Tallboy Interiors takes a new approach to old interiors that can inspire us all for the cosy season ahead.
On his 18th birthday, Matt Dixon of Tallboy Interiors was given £1000 from his parents to spend as he wanted. Instead of blowing it, he decided to invest the money in various antique pieces and thus his addiction and business was born.
Red or dead
No, I am not referring to the controversial Brit shoe brand, but a desire for darker interiors, a new take on tapestry and rich reds. Once upon a time wearing different tones of red, mismatching scarlet with crimson, gave the impression you got dressed in the dark. Matt describes his style as “mismatched but works. I like to try different pieces, patterns, colours, ages. Nothing needs to match for it to work necessarily.” Now is the time to embrace mismatched. Enjoy ebonised antique wood, dark interiors, and dress yourself and your home in red.
This tapestry and velvet covered table sits on the edge between elegant and artsy. Pom Poms are trending big time, but antique pom pom tassels will retain crafty charm.
An awareness for more thoughtful purchasing has produced an abundance of green living trends, from eco friendly antiques and natural materials to literally green coloured interiors. Merging our environments by bringing the outside in and inside out is increasingly popular. These Mid-20th-Century Willy Guhl planters are statement greenery that can work inside and out.
Relaxed rose, terracotta, cinnamon, rust. All great shades and even better in velvet, both grand, intimate and above all, cosy.
©Photographs courtesy of Tallboy Interiors
Part-time harpist, educator, occasional snowboarder, and driving force behind phannatiq, Anna Skodbo takes a “clothes for people” attitude to designing. Attracting people from the likes of musicians Kate Nash, Harper and the pavement population with her city inspired textiles. Unique prints include fly tipping inspired by waste around Walthamstow, where the phannatiq design studio is based.
Committed to responsible employment, sustainable manufacture and dressing in a way that transcends the call for a seasonal wardrobe cull. Phannatiq questions fashion’s status quo.
I am inspired by her respect for social and stylistic individualism, and now armed with her local guide to a good day in Walthamstow to share with you. Here is my interview with phannatiq Anna.
It’s a shame that it’s even a talking point, but given the rarity with which they appear in fashion campaigns, I have to ask about your decision to cast women over the age of 40 and women of different race and size to model your collection?
Because we make clothes for people and people come in all ages, shapes, ethnic origins and sizes, not to mention having different clothing needs. There’s no point trying to sell to them using only one example over and over again. We still only use about 6 models so it’s still not ideal, but hopefully it helps a bit towards people being able to see themselves in the clothes.
On our online shop, we try to have as many examples of different shapes in our clothes as possible along the bottom of the garment page so people can see for themselves too.
Oeko-Tex 100 certified bamboo silk dress in London print
organic cotton & bamboo mix dress in London print
Did you always produce clothes in sizes 6 to 20? Why do you think more designers don’t make clothes in sizes above a 16?
I really can’t speak for other brands as I have no idea what they are going through. We have evolved over time. In the beginning we thought we had to conform to fit in and then a few seasons in I was like, “fuck this shit!” and started putting my fingers up at the whole thing bit by bit. Starting with banning photo retouching of any of our photographs- what you see is what you get- and then becoming more diverse with our model choices. This inspired our sizings.
What is it about London that inspires you?
Everything really, its vibrancy, its diversity, its unashamedness and of course the shit bits 😜
fly tipping print inspired by waste around Walthamstow
Where would you send someone looking for a day in Walthamstow?
Oooo there are so many awesome things in Walthamstow! If you like drinking there is Ravenswood Estate up by Shernhall street. In what is essentially an industrial estate you’ll find Wild Card Brewery who brew the most excellent beers, and often have some really great musical acts and DJs; opposite them is Gods Own Junkyard, a museum of neon light and bar, Mother’s Ruin, a gin palace, not to mention a host of street food. You practically don’t need to leave for the weekend.
Otherwise I love walking around Lloyd Park and visiting the William Morris Gallery, The Marshes are beautiful, as is Hollow Pond if you want to pretend you’re not in a city.
How did your Steiner school education and growing up with adults with learning disabilities influence your approach?
I think in some ways growing up with adults with learning disabilities, I’m more aware of how unique everyone is and that it’s ok. I feel very privileged to have spent such a large part of my childhood with people who make you see the world in a different way, who may have struggles with some things we take for granted but equally bring so much to the world in other ways we won’t have considered. It’s humbling. It has in some cases even made me question the status quo. As in who are we to decide what is the correct way to experience something/react to something/achieve something?
Oeko-Tex 100 certified bamboo silk top with fly tipping print skirt
How would you advise people looking to make more sustainable wardrobe choices?
Buy mindfully. Ask yourself, do you really need this? The biggest eco friendly thing you can do is reduce everything you consume. This makes a much bigger difference than anything else. I realise this goes against capitalism and having a business, so oops.
Which is your favourite phrase of your 3D printed necklaces?
That really depends on my mood, however I have actually been called a Leftoid Sanctimonious Cunt on Twitter, so probably that one.
What do you have coming up for fashion weeks and beyond?
We are working on a really exciting project for fashion week so definitely keep an eye out! As for beyond, who knows….
©Photographs courtesy of Phannatiq