I want an eco-hot relationship with my clothes – Interview with COSSAC

Today’s eco-warrior is less hemp, more hot.  I don’t mean to do a disservice to the durable natural fibre, but hemp clothing is still building a new rep amongst fashion seekers that have discovered sexy and sustainable can coexist – as they do in the #ecohot label COSSAC.

I met Agatka Kozak, the woman behind COSSAC in a café off Brick Lane in East London.  The day of our interview was one of the worst snow days in the city this season, yet our café was surprisingly busy with the usual mix of hipsters and high-flyers you would expect on the border of Shoreditch and the financial district.

The concept of seasons is fluid for Agatka, which is reflected in her collections with items that can be styled up or down throughout the year – or even from day to night.  This design philosophy works for the sustainable fashion-minded, along with buying less, but better, and it also works for women living in the city that want a versatile wardrobe with often very little storage space.    

I’m styled-up the day we meet – making the most of the multiple accessories the Labour Behind the Label Six Items Challenge rules allow, but both Agatka and her intern Mao look at me and shiver as I take a seat in less layers than suitable for the weather.  

Thankfully, this is the second time Agatka and I are meeting, and she’s used to seeing me half-dressed as the first time we met in a Hoxton hotel suite at her shopping and preview event. I bought an asymmetric midi dress just before I started my challenge, which is impatiently waiting in my wardrobe to be worn. My dress encapsulates the COSSAC signature of effortless sass and I can’t wait to wear it.

“People don’t like to be told off” she says as we get past niceties and down to the nitty gritty topic of ethical fashion.  “If we were only aiming at ethically minded people, we would be out of business.”   

COSSAC treads the balance with a non-preachy, yet transparent tone about the materials, manufacturing – even garment neck labels are made of recycled polyester.  “For me it’s a standard, I don’t necessarily scream loads about it but if someone asks me, I explain.”

Agatka emphasises the importance of balance, as it is that which allows her the freedom to create the newness the fashion industry demands, whilst maintaining her mission as a sustainable designer.  I clutched onto maximising usefulness in COSSAC’s manifesto, as the Six Items Challenge has made me think more about how my wardrobe  works for me.  She adds more food for thought with the fact that “apparently we wear 20% of our wardrobe 80% of the time.”  I want to have some kind of useful fashion formula by the end of my challenge and to create a new relationship with my clothes – upping the average number of wears each garment gets.  

As well as designing,  Agatka also shops consciously, and (aside from wearing COSSAC most of the time) before making a purchase she asks herself if she will wear it at least 30 times.   

Just like sustainable shopping, sustainable designing comes with its challenges, for example when your collection orders amount to more than the quantity of deadstock fabric you have to make the pieces…Thankfully COSSAC has built great relationships with buyers, so she could utilise some beautiful deadstock fabrics that came with a warehouse one of her manufacturers recently acquired.  The fabric would have either been recycled or chucked, as nobody else wanted to deal with the difficulties of working with it.  Agatka has overcome the challenges of deadstock fabric by agreeing with the manufacturer and buyers that when it runs out, extra orders will be fulfilled using other organic fibres. 

Sourcing fabrics locally allows Agatka to keep the carbon footprint and the costs down for both the brand and her customer. There is an increasingly enticing selection of sustainable fabrics on the scene, and she is always researching new options, but also adamant about keeping her brand affordable.   

Other strings to her sustainable bow include candles and organic perfume.  I bought one of the first editions of Her – the debut COSSAC fragrance (which officially launches in August) and it  lives in my handbag as a secret mood-lifter.      

Currently partaking in many perfume courses and exploring the health benefits of essential oils, Agatka’s next mission is not only to dress, but de-stress her customer.

“The woman I design for, in my head she lives in the city, so on top of having amazing scents, it could have stress relief benefits”.  

We end on Fashion Revolution as the week that encourages us all to ask brands ‘Who made my clothes’ is fast approaching on the 23rd – 29th April 2018.  The campaign also encourages us to remember the Rana Plaza factory collapse, where over 1000 people were killed and many more were injured on 24th April 2013.

Incidentally, Mao, Agatka’s intern is starring in this year’s campaign (pictured far left).  

COSSAC offers a refreshingly realistic perspective for an ethical brand with the realisation that women often buy fashion first, but that sustainability is also an increasingly expected added value.  COSSAC caters to modern women who want to feel feminine, empowered and beautiful inside and out.

“I just want everyone working on my brand to be happy. There’s a very humane element, like I wouldn’t be able to sleep at night if I knew that someone was miserable.  I want to go to bed every night with a clear conscience.”

The new COSSAC collection Transeasonal Diaries is available to shop now.   

COSSAC counts global stockists.  Check out the full list here.

And if like me, you’re obsessing over the jewellery worn with COSSAC clothes throughout, check out jewellery designer Naida C. Castel.

@Photographs courtesy of COSSAC




Six Items Challenge : Day 15

I definitely didn’t expect snow when I picked mainly dresses for the six items to see me through six weeks.

©Photograph courtesy of PHIPPS – a newly launched menswear brand founded on the principles of respect and curiosity for the natural world.  They’re exploring sustainability and environmental responsibility in the realm of style and I wanna wear it too…


Planet friendly period pants from Modibodi

At the risk of sharing TMI, I just got back from a romantic trip to Bruges which perfectly coincided with my period.  I don’t normally write in acronyms, but having found a new solution to life’s unmentionables, I feel like my pre-teen self experiencing a period for the first time, so 4YEO FYEO (for your eyes only) here are my new period pants.

On the blob in Bruges, it was a good time to get brave and try something different, whilst doing my bit to minimise the flow of the sanitary pad footprint.  My weekend wash bag for Belgium was leaner and greener with no disposable pads or tampons, as I packed panties from Modibodi instead.  These Modibodi bamboo undies are reusable and sustainable – designed not only for women and girls, but for the benefit of all of the bodies on this planet.

Read my review and interview with Modibodi founder and CEO Kristy Chong, who (along with Belgium chocolate) helped me unlock the magic combination of comfort and confidence during that not-so-hot time of the month…

Kristy, the creator of Modibodi and I talk the same language.  She accumulated over 13 years experience in senior PR roles before making Modibodi, and the kind of products a PR professional dreams of.  The collections not only look cool, they also support causes worth shouting about, such as Days for Girls. This charity particularly struck a chord with me, as I was introduced to Days for Girls by a friend I lost to cancer last year.  You know the friend that makes you laugh so much you wet yourself?  Well, she was mine, so Modibodi’s leak-proof technology springs to mind as I start my questions for Kristy.


What ignited the motivation for you to own your own business?

From a young age I always knew I wanted to own my own business. The concept of Modibodi came when I was in Seattle, after the birth of my second child, I was doing a lot of running and traveling and came to the realisation that my underwear was failing to protect me from sweat and the occasional bladder weakness. I started to think about all the times as a woman underwear fails us.

For the 1 in 3 women with light incontinence and for every menstruating women, most can recall stories of that embarrassing situation in which her underwear failed to protect her from a leak, or they have endured years of using inconvenient, uncomfortable and eco-damaging disposable hygiene to stay protected. I wanted create a whole new product category for women that helps them better manage menstrual flow or incontinence, and to reduce the number of single-use products ending up in landfill and damaging our environment.  Modibodi is fashionable, sustainable, hi-tech, super comfortable underwear that totally replaces the need for disposable hygiene!

Can you tell me more about your support for Days for Girls?

As the issues of women’s health and rights are so close to my heart, I have made it a core pillar from the outset that Modibodi support women in need.

Days for Girls was one of the first organisations Modibodi supported which lead to us evolving our CSR globally. We have worked in partnership with initiatives such as Share the Dignity, the McGrath Foundation and School for Life and felt it was time to establish the ‘Give a Pair’ initiative to directly deliver product into the hands of women in need, and raise funds through direct sales of product.

Customers across the globe can ‘make a virtual donation’ on modibodi.com and Modibodi will donate a pair of Modibodi underwear to young girls & women in need. We also pledge to match all donations our customers make. Therefore, each time you purchase a GIVE A PAIR donation, you are essentially providing 2 women life changing underwear!

When you were setting up Modibodi, what was your most challenging moment?

Thankfully all of our failures have been relatively small, and not too costly. But when Modibodi has failed,  I let myself feel the disappointment and then I use that energy to put processes in place to prevent that from happening again or to pivot and look at other ways to do it. It’s important to take responsibility for those failures because it makes you stronger in the end.


Do you miss anything about your PR days?

The PR profession is made up of a majority of women, and I loved working with creative, super driven, high energy women. But I love the journey I am on now.


What advice would you give a woman with an idea looking to start her own business?

That you are like a rubber band, you will definitely feel stretched, but you won’t break, you will bounce back. And get comfortable with being uncomfortable because in business you will feel a lot of uncomfortable.




When women discover your designs do they share their embarrassing period stories? 

We are very fortunate to have amazing women who have joined the Modibodi Movement that share their stories and experiences with us and with our wider community. We are proud that through our blog, emails and social media we are able to converse and engage with our followers and customers. One of my personal favorites is this story from Helen:

Dear Modibodi,

I’m a little angry. I’m 26 years old. That’s a lot of period. Why weren’t you around when I was 12? I’m sure you know this but female sanitary products have a GST tax placed on them and condoms don’t?!? That is the first reason I was looking for an alternative to the nasty products which I have been using regardless of the slight allergic reaction I had to them, making that time of the month all the much worse. Since the age of 12 I have had to skip days of school (and since, work) because it was just that heavy, I was continuously worried about leakage and I couldn’t think through that and the pain. This month, I thought I would try Modibodi and my goodness IM IN LOVE. The bamboo undies are so soft and pretty too! I was thinking about posting a photo of my undies previously reserved only for those particularly heavy days, but I was too embarrassed. While your pretty undies can’t take away the pain they definitely make my bloated belly feel a lot sexier! I slept in them for the first-time last night and I didn’t have to worry about the undies being messed up in my sleep as I would a pad, there was absolutely no leakage and I woke up feeling like I didn’t have my period at all. In the past, the first thing I would do would be to go straight to the toilet and change my product but I didn’t feel gross one bit in Modibodi. I just really wanted to say thank you so much for creating these beautiful, useful, delightful undies. I really feel like they might change my period forever. Thank you!

As for my review…this is me, nappy free, galavanting about Bruges in my Modibodis with the kind of liquid love my husband and I could still enjoy on our weekend away – Belgium’s chocolatey stouts.

Another nice thing about the pants is that you don’t have to worry about nasties from plastic materials touching your skin.  I recently switched to organic pads, but with a glass door separating our hotel bedroom from our bathroom, it was wonderful not worrying about the less sexy stripping noise  of separating a pad from your panties.

Modibodi also unlocked the option of a sexy beige.

I started with the Classic Bikini, but I also like the look of the high waisted Sensual Full Brief.  They’ve also  got your backstroke ready for summer with leak-proof swimwear.   The first release is almost sold out, so keep an eye out for stock drops in the spring.

More on Modibodi.com

Learn about how you can help Days for Girls here

©Photographs Reclaimed Woman.  Inspirational graphics from @modibodiaustralia Instagram


Reclaimed interiors and renovating the Wabi-Sabi way

I recently discovered that my nickname at university was the swan. Okay so I have a long neck, but my friend suggested that it was more likely to do with my perfect hair. Rest assured, I also dislike the woman with the “perfect hair” my friend described, as perfectionists never see perfect in themselves. Nor am I a fan of people referring to themselves as perfectionists, but before I hit the back bar on this whole paragraph, I’ll get to the point. Renovating my flat with reclaimed materials gave way to a total mind shift. From perfection seeker to imperfection appreciator. When you buy new, the shine often fades with the first scratch or signs or wear.  However, buying reclaimed pieces and reusing old materials freed me to be less precious, knowing that loving signs of use would only add to their characterful beauty.

Born from Zen Buddhism, wabi-sabi cannot be bought. Your appreciation might start with a single chipped vase you have had forever. Rather than discarding it, the Japanese philosophy encourages you to accept things as they are. Wabi-sabi is the wonky, handmade, home-grown and weathered with age. A u-turn from the mass-produced, single-use society, it teaches us to be content and cherish what we have.

I am not pretending to have found zen, I still fuss with my hair for about fifteen minutes every morning. But through reuse and renovating my home with natural materials, I am making a more genuine environment that will continue to get better with age.

Difficult to translate into words, I am still working at my definition of a wabi-sabi way of life.  However, I think I am close when I appreciate the imperfect pattern of white ceramic tiles at the back of my wardrobe (that was once the kitchen).  Rather than sending the tiles to landfill, they live with my clothes and accessories as an accepted part of my home’s history.


Reclaimed doors and sanitary ware at V&V Reclamation  /  my irregular wardrobe tiles

©Photographs Reclaimed Woman

Sustainable designer Laura Ironside on season-less dressing

Sometimes less is more.   This is the approach of  designer Laura Ironside, who set-up her label with the aim of creating seasonless garments, thoughtfully, through sensitive and sustainable manufacturing.

For some, sustainable fashion is a contradiction in terms, and seasonless has only become part of the fashion vocab with the faster cycle encouraged by new shopping habits like see-now, buy-now.

Collections drop quicker than seasons transition.  Laura’s approach is more like season-less. With the first collection, Edit-01 under her belt, she is not in any rush to produce Edit-02, adamant to slow down the fashion cycle and let the first collection live.  If like me, you quickly fall for her edgy, womanly 1930s silhouettes, rest assured, when Edit-02 comes around it will fit just so, and Edit-01 won’t be pushed to the back of the wardrobe because it’s so identifiably last season.

Another move towards a time when the words sustainable and fashion can comfortably coexist is through garment leasing.  Laura is trialling this model to open her luxury pieces to more women.  I leased this copper crepe-backed satin silk dress for the price I could have paid for an occasion dress on the high street.   The difference is, once the occasion is over, it won’t sit in my wardrobe, but sooner get a lease of life from the next woman that wears it.

Here is my first leasing experience and interview with Laura Ironside.

Laura on the beginning of her label and consciously bringing products into the world. I had worked for some years in London for a number of fashion labels, but had always wanted to return to Scotland to set up my own label. When I first returned I was working with leather and found it very hard to get high-end leather pieces made in the UK. I spent a long time in product development, I met craftsmen and women from all over the UK and it was during this time that I developed a deeper understanding and respect for the craft that goes into making a single product. It also made me appreciate that if you’re deciding to bring new products into the world you need to be conscious of the impact these products are having. It made me re-evaluate my whole approach to designing and starting a brand.  Although I was unsuccessful in continuing the leather work, which was very difficult at the time, after I took some time out I slowly began developing the Edit-01 collection and the ethos of the brand was built through that seemingly unsuccessful experience.

Giving Edit-01 time to breathe. I think it’s easy in the industry to feel pressure to quickly create something new, I definitely feel that, especially as I love to create new work too. I have to remind myself to slow down! Obviously the whole ethos of the brand is slowing down and encouraging women to invest in long-lasting pieces so it’s important that I encourage this with how I approach the collections too. At the moment I want to keep focused on this collection and getting out there. It’s great to see the pieces on different body types and see women styling it in different ways. I’m also learning what works and what isn’t and taking that forward into the new collection. It’s important to me to get feedback from our existing audience and learn and grow from that, while also hopefully balancing it with exciting new and fresh ideas.

Those 1930s silhouettes.  I love the elegance of the 1930s. I love the idea of women’s clothes being sexy, but without showing off a lot of skin. I wanted the collection to celebrate femininity and the woman’s body, yet still be demure and elegant. I was aiming to give the 1930s silhouettes some edge, bringing them up-to-date whilst still maintaining their elegance.

It can be very challenging for consumers to track the journey of a garment and find out what it is made of, where, by who and under what conditions.  As a designer, Laura faces similar challenges seeking transparency from suppliers. It is so difficult. I can give you an example actually – when I was looking for fabrics for the collection I asked 6 different fabric suppliers for details about their manufacturing, ie. their compliance with EU regulations in respect of ecological and ethical procedures. 4/6 either didn’t know, didn’t respond or wouldn’t disclose. It’s a constant challenge, but I think the more we ask questions as designers, as retailers, as consumers, as anyone who wears clothes (!) the more likely it is for transparency to become the norm in supply chains.

How Laura defines seasonless fashion.  For me it is about good quality investment pieces, it’s something that’s made well that makes you feel good. I think you can be playful with how you style-up pieces no matter the season and no matter the cut/style or fabric of a garment. Seasonless fashion does not have to be dull either.

I am from Scotland, where the seasons all seem to merge together and you need to be dressed for all eventualities, so perhaps that’s really where my affinity for seasonless fashion comes from.

Why she chose an atelier in London to sample and produce her collection.  It was important to me that the collection was produced in the UK. After location, I was then guided by quality of finish and workmanship. I had tried a number of different places but already had a rapport with this particular atelier. I went to visit them in Greenwich and they were just so open and easy to work with. We began sampling with them from then on and now work with them on small batch production.

How Laura’s sustainable business ambitions extend to other personal areas of her life.  I am a real fan of second-hand/antique furniture and homeware like vases, kitchen crockery and tins. When I can it always feels better to use fresh produce for cooking and also to buy locally and buy natural products. I’ve enjoyed making some of my own cosmetics recently too. But as ever, it can be so difficult to remain diligent throughout all areas, at every moment, for one reason or another. I think everyone can do the best they can at the period of life they’re at and make positive changes, but I don’t give myself a hard time about it. In the past year or so I’ve got better at just owning less and really thinking about whether or not I need something, in all areas of my life.

Laura’s mission for garment leasing, is this the future for sustainable fashion?  I think one of the main things is accessibility, I know that higher price tags for sustainable products makes things so difficult for people who really do want to engage in a more ethical approach to their wardrobe, but don’t feel that they can afford it. Leasing clothes at a lower price opens this up to a wider audience, if garments are shared it reduces the risk of them hanging in a dark corner of someone’s wardrobe unused, or worse, in landfill. Higher price tags can make people feel like they have no alternative but to shop on the high street for their special occasion, even though they would prefer something different, something unique. It also allows people to try something before they potentially invest in a piece.

At the moment we are very much in the trialling stages, we want to listen to our early lease customers and learn, so we can make this service the best it can be. It would be amazing to think of more brands doing something similar in the future, absolutely.

I highly recommend leasing from Laura Ironside.  Luxuriously delivered to and collected from your door, it is a dream for those a custom to small space urban living.  Why should our experiences be confined by the extent of our storage space?  I didn’t need to buy the Laura Ironside Knight dress to own it that day.

Laura Ironside

Lease from Laura Ironside 


©Photographs Reclaimed Woman


4 home fashions to note now for the cosy season

Whether you’re into antiques or not, Tallboy Interiors takes a new approach to old interiors that can inspire us all for the cosy season ahead.

On his 18th birthday, Matt Dixon of Tallboy Interiors was given £1000 from his parents to spend as he wanted.  Instead of blowing it, he decided to invest the money in various antique pieces and thus his addiction and business was born.

 Red or dead 

No, I am not referring to the controversial Brit shoe brand, but a desire for darker interiors, a new take on tapestry and rich reds.  Once upon a time wearing different tones of red, mismatching scarlet with crimson, gave the impression you got dressed in the dark.  Matt describes his style  as “mismatched but works.  I like to try different pieces, patterns, colours, ages.  Nothing needs to match for it to work necessarily.”  Now is the time to embrace mismatched.  Enjoy ebonised antique wood, dark interiors,  and dress yourself and your home in red.

 Lady boho 

This tapestry and velvet covered table sits on the edge between elegant and artsy.  Pom Poms are trending big time, but antique pom pom tassels will retain crafty charm.

 Inside out

An awareness for more thoughtful purchasing has produced an abundance of green living trends, from eco friendly antiques and natural materials to literally green coloured interiors.  Merging our environments by bringing the outside in and inside out is increasingly popular.  These Mid-20th-Century Willy Guhl planters are statement greenery that can work inside and out.

   Earthy velvet

Relaxed rose, terracotta, cinnamon, rust.  All great shades and even better in velvet, both grand, intimate and above all, cosy.

Shop Tallboy Interiors

©Photographs courtesy of Tallboy Interiors

Anna Skodbo on building her ethical London brand phannatiq

Part-time harpist, educator, occasional snowboarder, and driving force behind  phannatiq, Anna Skodbo takes a “clothes for people” attitude to designing.  Attracting people from the likes of musicians Kate Nash, Harper and the pavement population with her city inspired textiles.  Unique prints include fly tipping inspired by waste around Walthamstow, where the phannatiq design studio is based.

Committed to responsible employment, sustainable manufacture and dressing in a way that transcends the call for a seasonal wardrobe cull.  Phannatiq questions fashion’s status quo.

I am inspired by her respect for social and stylistic individualism, and now armed with her local guide to a good day in Walthamstow to share with you. Here is my interview with phannatiq Anna.

Anna Skodbo

It’s a shame that it’s even a talking point, but given the rarity with which they appear in fashion campaigns, I have to ask about your decision to cast women over the age of 40 and women of different race and size to model your collection? 

Because we make clothes for people and people come in all ages, shapes, ethnic origins and sizes, not to mention having different clothing needs. There’s no point trying to sell to them using only one example over and over again. We still only use about 6 models so it’s still not ideal, but hopefully it helps a bit towards people being able to see themselves in the clothes.

On our online shop, we try to have as many examples of different shapes in our clothes as possible along the bottom of the garment page so people can see for themselves too.

Oeko-Tex 100 certified bamboo silk dress in London print

organic cotton & bamboo mix dress in London print

Did you always produce clothes in sizes 6 to 20?  Why do you think more designers don’t make clothes in sizes above a 16?

I really can’t speak for other brands as I have no idea what they are going through. We have evolved over time. In the beginning we thought we had to conform to fit in and then a few seasons in I was like, “fuck this shit!” and started putting my fingers up at the whole thing bit by bit. Starting with banning photo retouching of any of our photographs- what you see is what you get- and then becoming more diverse with our model choices. This inspired our sizings.

What is it about London that inspires you?

Everything really, its vibrancy, its diversity, its unashamedness and of course the shit bits 😜

fly tipping print inspired by waste around Walthamstow

Where would you send someone looking for a day in Walthamstow?

Oooo there are so many awesome things in Walthamstow! If you like drinking there is Ravenswood Estate up by Shernhall street. In what is essentially an industrial estate you’ll find Wild Card Brewery who brew the most excellent beers, and often have some really great musical acts and DJs; opposite them is Gods Own Junkyard, a museum of neon light and bar, Mother’s Ruin, a gin palace, not to mention a host of street food. You practically don’t need to leave for the weekend.

Otherwise I love walking around Lloyd Park and visiting the William Morris Gallery, The Marshes are beautiful, as is Hollow Pond if you want to pretend you’re not in a city.

How did your Steiner school education and growing up with adults with learning disabilities influence your approach?

I think in some ways growing up with adults with learning disabilities, I’m more aware of how unique everyone is and that it’s ok. I feel very privileged to have spent such a large part of my childhood with people who make you see the world in a different way, who may have struggles with some things we take for granted but equally bring so much to the world in other ways we won’t have considered. It’s humbling. It has in some cases even made me question the status quo. As in who are we to decide what is the correct way to experience something/react to something/achieve something?

Oeko-Tex 100 certified bamboo silk top with fly tipping print skirt

How would you advise people looking to make more sustainable wardrobe choices? 

Buy mindfully. Ask yourself, do you really need this? The biggest eco friendly thing you can do is reduce everything you consume. This makes a much bigger difference than anything else. I realise this goes against capitalism and having a business, so oops.

Which is your favourite phrase of your 3D printed necklaces?  

That really depends on my mood, however I have actually been called a Leftoid Sanctimonious Cunt on Twitter, so probably that one.

What do you have coming up for fashion weeks and beyond? 

We are working on a really exciting project for fashion week so definitely keep an eye out! As for beyond, who knows….

Shop Phannatiq

©Photographs courtesy of Phannatiq

Designing my Reclaimed Kitchen – Practical Vs Pretty

Ever practical, I chose a glazed 1940s staff noticeboard reclaimed from London’s Kings Cross station from SalvoWEB to style as my kitchen cabinet.   Not that I was intending to consume as many tubes of tortilla chip Pringles as the decorators, but soon only pretty foods fitting my colour scheme will be allowed in my kitchen cabinet. Ha. Don’t you just love the unrealistic goals one sets oneself in the middle of a renovation.

When I started designing my kitchen, I envisaged a glamorous throwback, a bit of Disco Deco and pretty brass accents.  I bought glass Art Deco lampshades from The Architectural Forum and had my eye on these Jazz Moderne glass panels salvaged from a French apothecary to finish the sides of my noticeboard cabinet.  I lost them to another bidder, but in hindsight it was a good thing as it forced me into more practical open shelves that show off the reclaimed wood from Pine Supplies and my ’40s noticeboard in full glory.

Art Deco lampshades in The Architectural Forum

Jazz Moderne glass panels

my kitchen (before)

It breaks my heart to see kitchens ripped out with no regard for materials that could have been saved, so I challenged myself to reuse as much of my original kitchen as possible – starting with the white appliances.

Sadly mine didn’t come as cool as the above, but this could be considered another tick in the practical box compared with stainless steel, which is hard to keep finger smudge free.  But white appliances are fashioning an impressive come-back.  When designing a kitchen, you rarely go wrong with classic white.  It is clean and cleverly works with both modern and period interiors and can look more retro according to the style of appliances you choose.  White also tends to change with the light from other colours around it.   I am aiming for warm white, surrounded by reclaimed wood cabinetry.  But avoiding rustic country vibes with black and primary coloured markings that come with choosing floorboards salvaged from a school gymnasium.

I may have diverted from my disco Art Deco design, but I’m feeling the ’80s school disco I ended up at.

Reclaimed gymnasium floorboards from Historischen Bauelemente designed as doors to refresh my original kitchen carcasses.

©Photographs Reclaimed Woman

12 discoveries from Salvo Fair for a sustainable luxury life

Dip into Deco bathrooms 

Resurfaced roll top baths, Deco bathroom suites, Belfast and Butler sinks.  With so much salvaged sanitary ware out there, it is not necessary to buy new.  Look to salvage dealers like Mongers that supply reconditioned taps too.

Mongers Architectural Salvage

 Period old things from playful young things 


Standing tall, Matt Dixon of Tallboy Interiors and Buster below, part of the Vagabond Antiques family.  Both businesses won a free Salvo stand in the Antiques Young Guns competition – a support network for people under 39 working in the antiques industry.

These dealers are changing the stuffy image of antiques and getting playful with period pieces. What could be more sustainable than buying furniture built to last, and reused over-and-over again?

Tallboy Interiors  /  Vagabond Antiques

 Ethical eating and drinking at Silo with Old Tree Brewery 

Zero waste restaurant, Silo chef Douglas McMaster’s mission is always the first thing critics note. The taste however, is just as mind-blowing.  V for veggie, I ordered the contemporary calzone filled with curried plant-based goodness in the Silo at Salvo pop up.  Washed down with Kombucha from Old Tree Brewery, a social enterprise that combines brewing and gardening to make nourishing, delicious drinks.

They supply ethical restaurants like Silo in Brighton, where Old Tree also run their Brewhouse Café.  And if you’re nowhere near Brighton, you can buy their drinks online.

I sampled their Sencha green tea Kombucha, which is both earthy and energising and packed with probiotics.

Silo  /  Old Tree Brewery

 Time for change with Clock Props

I haven’t worn a watch since I was a teenager. Perhaps because I grew up with a phone to tell me the time, but I fell for this Salvo Fair stand of clocks.

With a collection of over 500 clocks, a visit to Clock Props’ showroom back in London is high on my to-see list.   Buy or hire. They probably have the largest selection of clocks in the UK, and they are a go-to for interior and set designers.

Clock Props

  Mahala and Roomi Apparel 

I’ve been banging on about ethical homeware and accessories brand Mahala for a while and I finally got my hands on one of the signature bags made of old military canvas and British saddlery leather.  I must however leave room to mention Roomi Apparel.  Designed by the talented husband of Emily Griffin, the woman behind Mahala, Roomi Apparel is a new unisex brand made in East London.  Colourful coats on the left hand rail below suited both the tall men and petite women that tried them.   One sustainable size fits all.

Stocked at Mahala, follow Roomi Apparel on Instagram  here

  The real deal in retro arm candy 

I’m a shoe woman, but exhibitors in my Fair Fashion pop up converted me into a bag lady.  I rarely buy bags, but Salvo Fair had me spending on salvaged and vintage arm candy including this ’50s Corde bag with rare lucite handles.

Bag from Mary Jones Vintage worn with my ’70s jumpsuit from Snooper’s Attic, Snooper’s Paradise, 7-8 Kensington Gardens, Brighton. 

 Conscious shopping with Chris Holmes Antiques 

Also a bag of sorts… this French antique hod from Avignon was worn on grape pickers’ backs in the ’20s.  Hand painted with Chateau Neuf Du-Pape – until the 14th Century the Pope resided in Avignon and this is the crest representing his vineyard.

We thought it would make a special statement piece in our patio that could double as an ice bucket for parties!  I’ll be revealing more of my flat and the reclaimed renovation project soon.

Chris Holmes Antiques

 Grand Clearance Auctions

Fresh from the fair field, exhibitor Insitu is organising a clearance auction in Manchester on Saturday 8th – Sunday 9th July 2017.  Clearing stock ready for the final stage of renovations to their Italianate style Grade II listed Victorian building.  Auctions are a great place to pick up rare pieces at good prices.

Insitu  /  find future auctions on Salvo

 Vintage furniture house Metroretro  

Saxon of Metroretro dressed London’s Sky Garden with his bespoke collection of reclaimed furniture and this weekend he dressed the Silo at Salvo pop up restaurant.  Also a regular at Modern Shows, look out for Metroretro with mid-mod and industrial pieces at Midcentury East on Sunday 15th October 2017.

Metroretro  /  Midcentury East


  The all-electric pollution free supercar 

EVision Supercars is the first UK chauffeur-driven car hire service that chauffeur in London with a nationwide fleet that exclusively comprises of all-electric, Tesla.

A conscious alternative for a luxurious airport transfer or a special event (the white gullwing Model X is popular for weddings).

They also offer self-drive hire so you can experience electric as the new car era ushers in.


©photographs Reclaimed Woman