Whether you’re into antiques or not, Tallboy Interiors takes a new approach to old interiors that can inspire us all for the cosy season ahead.
On his 18th birthday, Matt Dixon of Tallboy Interiors was given £1000 from his parents to spend as he wanted. Instead of blowing it, he decided to invest the money in various antique pieces and thus his addiction and business was born.
Red or dead
No, I am not referring to the controversial Brit shoe brand, but a desire for darker interiors, a new take on tapestry and rich reds. Once upon a time wearing different tones of red, mismatching scarlet with crimson, gave the impression you got dressed in the dark. Matt describes his style as “mismatched but works. I like to try different pieces, patterns, colours, ages. Nothing needs to match for it to work necessarily.” Now is the time to embrace mismatched. Enjoy ebonised antique wood, dark interiors, and dress yourself and your home in red.
This tapestry and velvet covered table sits on the edge between elegant and artsy. Pom Poms are trending big time, but antique pom pom tassels will retain crafty charm.
An awareness for more thoughtful purchasing has produced an abundance of green living trends, from eco friendly antiques and natural materials to literally green coloured interiors. Merging our environments by bringing the outside in and inside out is increasingly popular. These Mid-20th-Century Willy Guhl planters are statement greenery that can work inside and out.
Relaxed rose, terracotta, cinnamon, rust. All great shades and even better in velvet, both grand, intimate and above all, cosy.
©Photographs courtesy of Tallboy Interiors
Jumpsuits aren’t always the smartest move when it comes to travelling, but I always seem to choose one because the chic/comfort balance outweighs the likely woman v jumpsuit wrestling in the loo. This People Tree collaboration with the V&A is wonderful. The Tulip print is based on a fabric from the 1930s, originally by the Calico Printers’ Association in Manchester, now held in the V&A archive.
In Safe Hands hand cream Laidbare
V&A collaboration jumpsuit People Tree
Classic Small Drawstring bag Baia
EcoTools sustainable sleep mask from Boots
Sandals Brother Vellies
Part-time harpist, educator, occasional snowboarder, and driving force behind phannatiq, Anna Skodbo takes a “clothes for people” attitude to designing. Attracting people from the likes of musicians Kate Nash, Harper and the pavement population with her city inspired textiles. Unique prints include fly tipping inspired by waste around Walthamstow, where the phannatiq design studio is based.
Committed to responsible employment, sustainable manufacture and dressing in a way that transcends the call for a seasonal wardrobe cull. Phannatiq questions fashion’s status quo.
I am inspired by her respect for social and stylistic individualism, and now armed with her local guide to a good day in Walthamstow to share with you. Here is my interview with phannatiq Anna.
It’s a shame that it’s even a talking point, but given the rarity with which they appear in fashion campaigns, I have to ask about your decision to cast women over the age of 40 and women of different race and size to model your collection?
Because we make clothes for people and people come in all ages, shapes, ethnic origins and sizes, not to mention having different clothing needs. There’s no point trying to sell to them using only one example over and over again. We still only use about 6 models so it’s still not ideal, but hopefully it helps a bit towards people being able to see themselves in the clothes.
On our online shop, we try to have as many examples of different shapes in our clothes as possible along the bottom of the garment page so people can see for themselves too.
Oeko-Tex 100 certified bamboo silk dress in London print
organic cotton & bamboo mix dress in London print
Did you always produce clothes in sizes 6 to 20? Why do you think more designers don’t make clothes in sizes above a 16?
I really can’t speak for other brands as I have no idea what they are going through. We have evolved over time. In the beginning we thought we had to conform to fit in and then a few seasons in I was like, “fuck this shit!” and started putting my fingers up at the whole thing bit by bit. Starting with banning photo retouching of any of our photographs- what you see is what you get- and then becoming more diverse with our model choices. This inspired our sizings.
What is it about London that inspires you?
Everything really, its vibrancy, its diversity, its unashamedness and of course the shit bits 😜
fly tipping print inspired by waste in Walthamstow
Where would you send someone looking for a day in Walthamstow?
Oooo there are so many awesome things in Walthamstow! If you like drinking there is Ravenswood Estate up by Shernhall street. In what is essentially an industrial estate you’ll find Wild Card Brewery who brew the most excellent beers, and often have some really great musical acts and DJs; opposite them is Gods Own Junkyard, a museum of neon light and bar, Mother’s Ruin, a gin palace, not to mention a host of street food. You practically don’t need to leave for the weekend.
Otherwise I love walking around Lloyd Park and visiting the William Morris Gallery, The Marshes are beautiful, as is Hollow Pond if you want to pretend you’re not in a city.
Knowing what you know now, what advice would you have shared with yourself when you started seven years ago?
Having a working knowledge of the intricacies of companies house and HMRC is helpful, even if you outsource your accounts, knowledge is power. Going with your gut is important too as there is so much conflicting advice about and every business is different and has different needs, much like a child.
How would you advise people looking to make more sustainable wardrobe choices?
Buy mindfully. Ask yourself, do you really need this? The biggest eco friendly thing you can do is reduce everything you consume. This makes a much bigger difference than anything else. I realise this goes against capitalism and having a business, so oops :p
Oeko-Tex 100 certified bamboo silk crop top & fly tipping print skirt
How did your Steiner school education and growing up with adults with learning disabilities influence your approach ?
I think in some ways growing up with adults with learning disabilities, I’m more aware of how unique everyone is and that it’s ok. I feel very privileged to have spent such a large part of my childhood with people who make you see the world in a different way, who may have struggles with some things we take for granted but equally bring so much to the world in other ways we won’t have considered. It’s humbling. It has in some cases even made me question the status quo. As in who are we to decide what is the correct way to experience something/react to something/achieve something?
Which is your favourite phrase of your 3D printed necklaces?
That really depends on my mood, however I have actually been called a Leftoid Sanctimonious Cunt on Twitter, so probably that one.
You have created a strong following of celebrities and particularly musicians that have worn phannatiq. Does it increase sales? And is all celebrity endorsement good for the brand?
That’s difficult to say. My customers come from all over the place. I find it really exciting to see people in my clothes no matter who they are.
Responsibilities follow you even further when you have your own company and it becomes harder to define work time and you time, because the business is you time too. What advice would you give someone just starting their own business and what is the first thing you do when you get a moment for you?
Moment to myself??? You can kiss goodbye to any social life! I sleep when I have time off mostly. I had my first holiday in 5 years last January and went snowboarding.
What do you have coming up for fashion weeks and beyond?
We are working on a really exciting project for fashion week in September so definitely keep an eye out! As for beyond, who knows….
©Photographs courtesy of Phannatiq
Lulled into a false sense of ceramic security by the fact my mum had a Belfast sink in her back garden (don’t most mums?!), I was expecting a kitchen sink to be one of the easiest things to source. I would have taken my mum’s, but she is saving it for her own renovation and I decided to go for something much smaller. Sure, I could have bought new, but having come this far, I was adamant it had to be old and kept searching. I finally found a bargain Armitage Shanks (Butler) sink by calling local salvage yards on the SalvoWEB Directory. If like me, you are interested in a reclaimed sink and don’t know your Belfast from your Butler, here is a quick lesson I could have done with earlier…
Traditionally used by butlers, the name ‘Belfast’ distinguishes Butler sinks originally made and used in Belfast as they have a built-in overflow due to the fact that fresh water was readily available in Belfast in the late 18th Century. Whereas in London, ‘Butler’ sinks were designed without an overflow so as not to waste any of the fresh water, which had to be gathered from deep wells. So now you know.
Check out these links for salvaged sinks
©Photographs Reclaimed Woman
Aside from the fact I love a bit of Radio 4’s Dessert Island Discs (where presenter Kirsty Young asks famous guests to pick eight records to take if they were to be stranded on a dessert island), Stella McCartney’s Dessert Island Discs seemed a good excuse to define sustainable fashion in eight dresses.
The local dress
It’s not always the case that made on your doorstep is more ethical, but shopping in local boutiques makes it easier to enquire about the designers and makers.
Stella McCartney – “I’ve also thought it takes a lot to buy something made well, that is mindful in design and manufacture. You have to make those decisions based on who you are and have them bring something else to your life, make your life better, but not make your life not your life.”
The ethical dress
Eco-friendly designers and eco-collections support fair wages and working conditions, use eco-friendly fabrics and are mindful of animal rights, energy, water use and toxic pesticides. Look for certifications like Fairtrade and GOTS aka Global Organic Textile Standard and self-enforced codes, which you will find on the brand’s website. They will be easy to find if they advocate transparency.
Stella’s Winter 2017 campaign explores waste & overconsumption
The charity shop dress
A great way to shop guilt free. I’ve been shopping in charity shops since I was a teenager when my mum did a stint volunteering at an alzheimer’s charity shop, so it comes naturally to me. They are often the most local option for clothes and occupy what could otherwise be empty shops on your high street. Most of us are guilty of buying something we never get around to wearing. What’s one woman’s afterthought is another’s treasure, and these untouched gems regularly end up in charity shops. Dresses with the tags still on, designer and homemade dresses, I’ve discovered them all in charity shops.
The vintage dress
The antithesis of fast fashion, true vintage appreciates value with time. Vintage is an overused term, too often used to describe pre-worn clothing from any era, but real vintage is at least 10, more likely 20 years old. My personal favourite form of sustainable fashion, vintage shopping comes with an appreciation for an item’s unique journey.
Kirsty Young – “If you go out and about and see somebody wearing a jacket or a pair of trousers that you designed 10 years ago, do you think that’s a triumph then if she is still wearing them 10 years later?”
Stella McCartney – “Yes, Definitely…and actually it was funny, there was was somebody I saw in the street, only yesterday that had a bag of mine that was about 10 years old and she looked at me and I looked at her and I thought, this is awkward and I was really chuffed. For me it’s a real achievement.”
The make do mended dress
We live in a disposable era. Cheap fashion discourages the need to develop basic mending skills. I’ve read many articles telling people to save the planet by learning to make their own clothes. If you have that skill, creative urge, and time, amazing. If not, get to know a good tailor who cannot only extend the life of the clothes in your wardrobe by mending and altering them, but also help when you find one-of-a-kind wonders in charity shops or vintage shops that need tailoring to your size.
Stella McCartney – “I’m not interested in landfill, I’m interested in reuse and continuous design, I think staying power in every sense of the word is really important.”
The leased dress
Online rent-a-dress options have been growing, which is good news for party dresses that get worn once and then left for landfill. Imagine – one dress provides multiple women with happiness! That’s now a sustainable business plan for sites like Chic by Choice, Dream Wardrobe and Girl Meets Dress. I have yet to try it, but I suspect it will become increasingly popular as emerging brands like Laura Ironside (above) slow down the fashion cycle and lease their collections.
The swapped dress
You’ve heard of the phrase, go shopping in your wardrobe? Well, how about shopping in your friend’s wardrobe? Obviously ask first.
The Stella McCartney dress
Saving up for an expensive dress, even if it’s the dress of the season like this Spring 2011 Stella dress, is slow fashion because I’m still enjoying it today. When you genuinely invest in clothes, you reduce the amount of clothes you need to shop for.
Stella McCartney – “I definitely understand the idea of being yourself and not trying too hard through what you’re wearing.”
Kirsty Young – “That seems like a contradiction to say not trying too hard from what you are wearing because surely buying expensive clothes is about trying hard.”
Stella – “No, I think you have to wear the clothes, not let the clothes wear you. It’s really important for you to take control of your wardrobe.”
©Photographs Reclaimed Woman and courtesy of Stella McCartney & Laura Ironside
Carla Colour Lind recycled sunglasses from Ethical Collection
Amour jute tote The Jacksons
Reclaimed linen top Thoreau
Vintage gold Ferragamo leather jeans from 1st dibs
Sculptures by Suki Chan from Edward Haes
Trainers LA Sportiva
Ever practical, I chose a glazed 1940s staff noticeboard reclaimed from London’s Kings Cross station from SalvoWEB to style as my kitchen cabinet. Not that I was intending to consume as many tubes of tortilla chip Pringles as the decorators, but soon only pretty foods fitting my colour scheme will be allowed in my kitchen cabinet. Ha. Don’t you just love the unrealistic goals one sets oneself in the middle of a renovation.
When I started designing my kitchen, I envisaged a glamorous throwback, a bit of Disco Deco and pretty brass accents. I bought glass Art Deco lampshades from The Architectural Forum and had my eye on these Jazz Moderne glass panels salvaged from a French apothecary to finish the sides of my noticeboard cabinet. I lost them to another bidder, but in hindsight it was a good thing as it forced me into more practical open shelves that show off the reclaimed wood from Pine Supplies and my ’40s noticeboard in full glory.
Art Deco lampshades in The Architectural Forum
Jazz Moderne glass panels
my kitchen (before)
It breaks my heart to see kitchens ripped out with no regard for materials that could have been saved, so I challenged myself to reuse as much of my original kitchen as possible – starting with the white appliances.
Sadly mine didn’t come as cool as the above, but this could be considered another tick in the practical box compared with stainless steel, which is hard to keep finger smudge free. But white appliances are fashioning an impressive come-back. When designing a kitchen, you rarely go wrong with classic white. It is clean and cleverly works with both modern and period interiors and can look more retro according to the style of appliances you choose. White also tends to change with the light from other colours around it. I am aiming for warm white, surrounded by reclaimed wood cabinetry. But avoiding rustic country vibes with black and primary coloured markings that come with choosing floorboards salvaged from a school gymnasium.
I may have diverted from my disco Art Deco design, but I’m feeling the ’80s school disco I ended up at.
reclaimed gymnasium floorboards from Historischen Bauelemente designed as doors to refresh my original kitchen carcasses
©Photographs Reclaimed Woman
Thankfully things have moved on since my first days in fashion PR as an intern aka glorified parcel deliverer, but whether you are looking to get into PR or making steps to PR your own brand, there are things you could learn from your UPS driver.
Map your route to cover more ground with fewer stops
PR is the strategy for your story. Map out the process and plan your interactions. Your moves make the story you want people to tell about you and your brand.
Driving in reverse is discouraged
There will be times you find editorial or an opportunity where you or your brand didn’t make the edit or wasn’t even in the running. Don’t email bomb or call with ideas fitting for a feature that has already been published. Acknowledge it, but don’t dwell on it because that editor or influencer has moved onto their next piece and so should you.
They deliver some odd things
But you shouldn’t. When pitching to press – make it easy, make it engaging, try to put yourself in their position. Is your product, launch, collaboration relevant for their style and content? Or is there a unique angle that might work for them if it doesn’t immediately align with what they regularly do? Avoid odd, but don’t shy away from surprising.
©Photograph Reclaimed Woman